Blinded by Emotion: Can Visual Art Express Such a Thing?

I have a thread of blindness running through the years of my life.

This morning I determined that my preoccupation with seeing (which results in painting, among other activities) but not understanding (a wee bit of what we now call autism, maybe?) results in a kind of sightlessness that has lived within my shadow side as long as I can remember.

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My Georgette Heyer Project

I started on this project because I’m a Heyer fan myself. It was my mom’s idea to do some paintings of Heyer, because she wanted to hang one as inspiration above the table where she (my mom) writes and figured other fans might as well. We both wanted a painting that felt vintage and was pleasing as art, yet recognizable as a portrait of Heyer.

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What Every Painter Wants

In this case, Leeanne Seaver (Wonder Woman of word and camera) is a dear friend and wrote this beautiful blog post, the sky inside, linked about the making and new life of her Scottish gloaming painting, ‘Wolfy’s Sunset’.

if you’re as fascinated as I am with the powerful relationships that can happen because of art and how creativity can knit us together, then please jump to Leeanne’s blog post. You’ll enjoy it. But do me a favor and pretend I’m not wearing Crocs.

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Varnishing Oil Paintings

Anyone who's done any research quickly learns that there are some structural problems that can happen when oil paintings are varnished before the three to six month drying time.

Of course, as artists that sell work, this is somewhat problematic. We don't necessarily like storing pieces for that long. Fortunately, times change. New studies and experiments happen. While I'm not a chemist or materials expert, I am a researcher-type and I'll share some art "street talk" about it here.

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